Horror in ancient Greece and Rome[ edit ] Athenodorus The genre of horror has ancient origins with roots in folklore and religious traditions, focusing on death, the afterlife, evil, the demonic and the principle of the thing embodied in the person. European horror fiction became established through works by the Ancient Greeks and Ancient Romans. Prometheus ' earliest known appearance is in Hesiod 's Theogony.
English is intended to help students develop the critical abilities they need at the college level. Although the content of various sections vary somewhat, all emphasize writing skills and reading comprehension.
Moreover, individuals caught up in this greater drama have shared the insights of their individual journeys through oral and written expression.
In this way, voices of past and present adversities pass on individual experiences of downfall and victory, folly and wisdom, anguish and hope as fertilizer for the enrichment of others. If, as individuals, we are able to find transcendence amidst adversity, then we can contribute to our collective hope for the positive transformation of our world.
In this course, we will read and listen to voices of adversity in a variety of literary genres such as memoir, argumentative speech, short fiction, film and poetry. You will acquire an understanding of basic technical literary terms, learn tools for successful close readings of texts, analyze the techniques and devices used to construct a work of literature, and learn how to make use of effective writing strategies in your own analytical response essays.
Edgar Allan Poe, Kate Chopin, Eudora Welty, and Kurt Vonnegut will introduce us to Gothic Romanticism, turn of the nineteenth century feminism, racial discrimination during the segregation era, and a dystopian view on equality.
Scott Fitzgerald will allow us to dip into The picture of dorian gray aesthetics essay prohibition era and Jazz Age of the American s.
Three film screenings will also be included. We will look at the sociohistorical contexts of these works and their place in literary history, as well as the literary devices that make them unique works of art. Much emphasis will be put on writing exercises that will contribute to sharpen your analytical skills and capability to write effective responses to texts.
He encounters a particular type of solitude, and his new insect-shell becomes a symbol for his social isolation.
The Metamorphosis, which we will read towards the end of the semester, addresses a number of important questions: Is it possible to be alone while surrounded by others? How, exactly, do we form connections with other people? In this course, we will study a series of literary texts in which authors deal, in a variety of ways, with these ideas.
Short stories will span the nineteenth to twenty-first century and include realism, American gothic fiction, and a look at contemporary Canadian fiction. Finally, we will read two plays: In our analysis of these works we will pay attention to the basic elements of short fiction, poetry, and drama, such as plot, character, setting, point of view, rhythm, rhyme and symbolism.
We will also explore their ideas and themes, and look at the position of these works in their literary and social contexts.
Much emphasis will be placed on writing exercises that will contribute to sharpen your analytical skills and capability to write effective responses to texts. In engaging with these literary texts, students are expected to acquire techniques of research, note taking, outlining and essay writing with a clarity of expression and a coherence of thought.
By the end of the course, students will have acquired not only a certain familiarity with major forms of literature, but also a better appreciation of it. The dropping of the flower pot, as metaphor for the disturbance of social stability, is the theme that guides this course: This course seeks to discover what it is about this story and others like it that resonates so strongly with people of varying ages, cultures, and backgrounds.
Together, throughout the term, we will work on thinking and writing about literature at the college level. This course will allow us to explore three literary genres and write two college level essays—in stages and via organized revising and editing activities. We will read a selection of short fiction, poetry, and a play.
I will help you articulate in clear, correct English composition as you learn to read a variety of literature on various topics. Students will learn to use the terms and forms they may find useful for future literature courses, and we will work on the construction of a college level essay.
By the end of the term, successful students will be able to analyze literature and write a word literary essay. Throughout the term there will be an emphasis on the distinction between critical expression, as opposed to paraphrastic writing; and the provision of practical and mechanical tools to develop this critical expression.
DARK FICTION Though we like to think of ourselves as the most highly evolved species on the planet, we are constantly confronted with the fact that we are also capable of shockingly violent, animalistic acts.
The aim of this course is to examine the ways in which writers choose to portray the darker side of human nature. What happens when language itself is rendered unstable? What if silence speaks louder than words and meaning is primarily conveyed through subtext?
Students will examine and write about short stories, plays, and poems.Aesthetics - Taste, criticism, and judgment: All aesthetic experience, whether of art or nature, seems to be informed by and dependent upon an exercise of taste.
We choose the object of aesthetic experience, and often do so carefully and deliberately.
Moreover, we are judged by our choices, not only of works of art but also of colour schemes, dresses, and garden ornaments, just as we are. wordburn (wûrd'bûrn) n. - Inflammation or blistering of the brain caused by overexposure to direct words.
All the classic literature featured on this site, as well as illustrations within the book pages, are in the public domain. Andrew Elfenbein is Professor of English at the University of Minnesota—Twin Cities.
He is the author of Byron and the Victorians (); Romantic Genius: The Prehistory of a Homosexual Role (); and Romanticism and the Rise of English (); for Longman Cultural Editions, he has edited Oscar Wilde’s The Picture of Dorian Gray and Bram .
The Hollywood Reporter is your source for breaking news about Hollywood and entertainment, including movies, TV, reviews and industry blogs. Oscar Fingal O'Flahertie Wills Wilde (16 October – 30 November ) was an Irish poet and playwright. After writing in different forms throughout the s, he became one of London's most popular playwrights in the early s.
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